let me hear your voice tonight (
alexseanchai) wrote2013-02-28 10:55 pm
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speaking of pronouns
How confused do you think you'd be by a story where, instead of gendered third-person singular pronouns (for this purpose, 'ze', 'ey', singular 'they', et al are gendered), the third singular pronouns are something like na/nan, sa/san, ta/tan, translating roughly to this-one, that-one, that-one-over-there? All gender-neutral, and which one refers to whom changes depending on the speaker.
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If it were acknolwedged to be a non-English construction that is somehow necessary to the setting (I've got a set of pronouns in
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That would work much better than words I've never seen before and would have to learn the meaning of as I go. Like others said, the work involved might make me give up more easily than familiar words used in a different way, like this-one and that-one.
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mya used copy of The Cook and the Carpenter, which did exactly that.I wasn't confused at the time, but I wonder if that had to do with the expectations I brought to the book.
Also I think it past time to redo the experiment.
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Would these new pronouns also be used for inanimate objects? Also, given the trouble people have with I vs. me, do you want to have a subject-object distinction? (Unless the forms ending in '-n' are the possessive forms? My, your, our, etc? Or would those be na's, sa's, ta's? Like y'all's?)
It might be less confusing if the new pronouns came from existing English words or patterns like ... this'un, that'un, and yon (from yonder)? Except those are kind of ugly.
Maybe something with h-/th- for the first two, like in here/there?
Or: these/those and this/that both involve vowel changes, so maybe ... niss/neeze/nawn?
Sorry for the flood of suggestions, I think you hit my linguistics-major button
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I'm actually leaning towards using 'this-one' and 'that-one', exactly like that, subject and object, possessive 'this-one's' and 'that-one's'.
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For some people, on the other hand, the figuring-out-the-puzzle aspects of the story are what it's all about.
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(Another thing that would make a difference for me would be whether the new pronouns were used in the dialogue only, or in the narration as well. Also, a shorter work can sustain more stylistic and linguistic experimentation than a longer one.)
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If it was non-sfnal and you didn't want to explicate your pronouns, I also agree that I'd rather see something that used English's existing flexibility to do something similar - a narrator who uses this, that, and t'other in place of all third-person pronouns would be odd, but I'd probably buy it at a quirk of voice/dialect without wanting a more complicated framework.
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Ooo...
Re: Ooo...
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