Not the only one having those visions, Margaret....
Dec. 8th, 2025 03:34 pmMargaret Atwood seems to be claiming some kind of unusual prescience for herself when writing The Handmaid's Tale:
Speaking on BBC Radio 4’s Desert Island Discs, Atwood said she believed the plot was “bonkers” when she first developed the concept for the novel because the US was the “democratic ideal” at the time.
Me personally, I can remember that the work reading group discussed it round about the time it first came out - and I remarked that it was getting a lot of credit for ideas which I had been coming across in feminist sff for several years....
I think the idea of a fundamentalist, patriarchal, misogynist backlash was pretty much in people's minds?
I've just checked a few dates.
At least one of the potential futures in Marge Piercy's Woman on the Edge of Time (1976).
Margaret O'Donnell's The Beehive (1980) .
Suzette Haden Elgin's Native Tongue (1984) and sequels.
Various short stories.
Various works by Sheri Tepper.
I'm probably missing a lot.
And assorted works in which there was an enclave or resistance cell of women embedded in a masculinist society.
I honestly don't think a nightmare which was swirling around at the time is something that can be claimed as woah, weird, how did I ever come up with that?
I'm a bit beswozzled by the idea that in the early-mid 80s the USA was a shining city on a hill, because I remember reviewing a couple of books on abortion in US post-Roe, and it was a grim story of the erosion of reproductive rights and defensive rearguard actions to protect a legal right which could mean very little in practice once the 1977 Hyde Amendment removed federal funding, and an increasingly aggressive anti-choice movement.

