book group

Jun. 28th, 2025 12:10 pm
boxofdelights: (Default)
[personal profile] boxofdelights
I hosted book group last Sunday and I'm only just feeling recovered today. We read How We Show Up: Reclaiming Family, Friendship, and Community, by Mia Birdsong, which is a very timely book about weaving the web of connections that we all need to survive the current omnidisaster. Eight people showed up at my house!

I made broccoli & tofu with peanut sauce, a tomato-lentil dish, spiced nuts (sweet and not sweet), and served salad, bread, cheese and crackers. My friend Karen made mojitos.

I also had door prizes: a stack of books. Six of them went home with someone.

pics )

(no subject)

Jun. 28th, 2025 11:12 am
greghousesgf: (pic#17098439)
[personal profile] greghousesgf
Had some caramel vanilla tea. I want to make spaghetti for dinner tonight so I went to the grocery store to get sauce, decided to try a brand called Italian Market, I got the tomato sauce w/artichokes. I often buy the Paul Newman but they only had the bigass jars and I'm only making spaghetti for myself so I don't need that much.

TOS Spotlight: Commercial Promotion

Jun. 28th, 2025 05:27 pm
[syndicated profile] otw_news_feed

Posted by xeno

The Policy & Abuse committee (PAC) is responsible for enforcing the AO3 Terms of Service (TOS). To help users better understand the TOS, we’re posting a weekly spotlight series about the TOS and our policies. We’ll also be reading comments and answering questions on this and our other spotlight posts.


For our last post in this series, we’ll be talking about our non-commercialization policy. AO3 doesn’t allow users to engage in commercial promotion of any type, which includes everything from paywalls to tip jars, and quite a lot in between. In this post, we’ll discuss why AO3 doesn’t allow commercialization, what kinds of activities are considered to be commercial promotion, and what to do if you see commercial promotion on AO3.

Don’t go looking for things to report.

Please do not start searching for works to report after reading this post. We know that commercial promotion frequently appears on AO3. However, when people deliberately search for works to report, we end up getting a lot of duplicate tickets about works that have already been reported. Every ticket we receive is reviewed by a PAC volunteer, so we only need one report in order to investigate an issue. We know it seems like sites only respond to mass reports, but on AO3, duplicate and mass reports increase the time it takes our volunteers to investigate.

What is commercial promotion?

Commercial promotion covers all references or links to commercial sites, monetized features of non-commercial sites, and anything else that makes it clear someone is asking for or has received financial contributions.

On AO3, you can’t encourage anyone to give other people money, or talk about anyone having given people money in the past. This applies whether you are promoting yourself or a friend, or even if you’re collecting donations for other people or causes. If there is money changing hands, then it likely violates AO3’s TOS.

AO3 is a non-commercial space.

AO3 was created and is managed by the Organization for Transformative Works (OTW), a nonprofit organization committed to the defense and protection of fanworks from commercial exploitation and legal challenges. The OTW is entirely staffed by unpaid volunteers, and AO3 is itself entirely non-commercial. No one involved in AO3’s creation or management profits from it. The site is made available free of charge to all fans who wish to share their works with other fans and fan communities.

We understand that many people today choose to monetize their creative activities. However, in order to keep AO3 as the non-commercial space it was designed to be, users are not permitted to engage in any commercial activity on the site.

When you use AO3, you agree to follow our Terms of Service, which includes the non-commercialization policy. This applies to all parts of the site, whether you’re posting a work based on an existing source or creating content entirely original to you.

AO3’s non-commercialization policy applies to the entire site.

Real-world commercialization is banned everywhere on AO3. This includes:

  • Profile pages
  • Usernames, pseuds, and pseud descriptions
  • Works (including all tags, beginning or end notes, chapter notes, summaries, and titles)
  • Series (including titles, summaries, descriptions, and notes)
  • Bookmarks (including tags and notes)
  • Comments
  • Prompt memes, gift exchanges, and other collections
  • Any other part of AO3

It’s okay for fictional characters in fanworks to talk about fictional monetization. For example, it’s fine if a character has a fictional OnlyFans or Patreon within the story, as long as that commercial reference doesn’t direct the reader to a real-world OnlyFans or Patreon account for the work creator or anyone else.

What are some examples of commercial activities?

There is a wide variety of things that are not allowed under AO3’s non-commercialization rules.

Links or references to any commercial site or service. A “commercial site” is any site whose primary purpose is to facilitate the transfer of money. This includes, but is not limited to:

  • Storefronts like Amazon or Etsy
  • Crowd fundraisers like Kickstarter or GoFundMe​​
  • Tip jars or membership subscriptions like Ko-Fi or Patreon
  • ​​Payment platforms like PayPal or Venmo

Links or references to the monetized features of non-commercial sites. This covers any site that has features you can enable or opt-in to earn revenue, but the primary purpose of the site is social media, sharing artwork, or anything else that isn’t inherently payment-focused. This includes, but is not limited to:

  • Paywalls or early-access content like Wattpad Paid Stories or Webtoon Canvas
  • Storefronts like DeviantArt Shop or Instagram Shop
  • Tip jars or membership subscriptions like TikTok Donation Stickers or Twitch Prime

Previews and other promotions for paid content. This covers situations like excerpts or teasers shared in an attempt to entice people to purchase a book or become a paying subscriber. It also includes references to paywalled or early-access content (e.g. “Patreon subscribers get the new chapter one week early before I post it on AO3”).

Advertising content or services involving an exchange of money, such as buying merchandise, collecting donations, offering paid commissions, or selling published works.

Any other language which one might interpret as requesting or having requested financial contributions, whether for yourself or others. This covers indirect references, euphemisms, or other language intended to get around the TOS. Some examples of this include:

  • Thanks for the coffee!
  • My ☕ username is the same as my username here
  • This chapter is brought to you by my patrons
  • You know where to find me if you want early or bonus chapters
  • Check out my Twitter to learn how you can donate to me since I’m not allowed to discuss it here
  • If you want to hear more about my ideas, talk about fandom, or find more of my stuff for a coin, visit my Tumblr

Solicitation is not allowed, whether it’s for yourself or on behalf of someone else.

Commercial activity is not permitted on AO3. It doesn’t matter if you’re promoting yourself or a friend, or even if you’re collecting donations for other people or causes.

This means that if you paid an artist to create artwork for your fanfic, you’re not allowed to mention that they have a Patreon or use any other language that suggests people should also commission or donate to them. If you like a book by a particular author, you are certainly welcome to gush about what a great book it is, but you can’t link to the Amazon page where it’s for sale or encourage others to buy it.

What is the difference between a commercial site and a non-commercial site that has monetization features?

As mentioned above, a commercial site is a platform that is first and foremost intended to facilitate the exchange of money. For example, while you can use Ko-Fi as a blog, the site’s primary purpose is to encourage people to give each other money. Ko-Fi’s social features are secondary to its purpose as a donation and paid membership platform. This means you cannot link to or mention your or anyone else’s actual Ko-Fi on AO3 whatsoever.

An example of a non-commercial site that has monetization features is DeviantArt, an art gallery that is mainly intended as a place to share artworks. DeviantArt also allows its users to opt-in to additional monetization features, such as the DeviantArt Shop. Because DeviantArt’s paid features are both optional and not the primary reason people use the site, you can talk about or link to DeviantArt on AO3 – as long as you aren’t directing anyone to a paywalled post or referencing DeviantArt’s paid features in any way.

Can I link or mention a social media site where I talk about making money or collecting donations?

You’re allowed to link or mention social media like Tumblr or personal websites like WordPress, even if you sometimes post about commercial activities on those sites. However, you cannot reference commercial promotion on AO3 itself, nor may you link, mention, or give instructions for finding an account, page, or post that is solely promoting paid content.

Statements such as “Follow me on social media” or “Check out my Linktree” are fine. Directing people to an Amazon author page or to the Ko-fi link in your Twitter bio would not be allowed. This includes things like “Check out my Linktree to learn how you can support me” in cases where you are clearly referring to monetary support.

Can I post a fanwork created for a charity drive or for-profit zine?

While you cannot promote, solicit, or otherwise ask for donations on AO3, you are allowed to add your work to a collection or otherwise briefly mention why you created a fanwork, as long as you do so in a non-commercial manner. This means you can say “This was created for [Event]” or “Originally Written for [Name of Person/Zine]” as long as you do not directly link to a donation page or ask others to donate to them.

Keep in mind we also do not permit mentions of monetary transactions, regardless of when they occurred. A note such as “This was a $100 bid for Fandom Trumps Hate” would still be considered commercialization.

I’ve seen authors say their works are commissions. Is this allowed?

You are allowed to gift your work to someone else or otherwise briefly mention why you created a fanwork, as long as you do so in a non-commercial manner. Because not all commissioned fanworks were created for pay, we do permit usage of the word “commission” as long as there is no indication that a monetary transaction was involved in the creation of the work or that you are available to create other paid commissions.

For example, phrasing like “This is a commission for X” is acceptable, but “Commission for my Gold Tier Patron, Julie” or “My client agreed to let me post the first chapter of their commission” isn’t. The context makes it clear that both “patron” and “client” are references to a paying sponsor.

I’ve seen others ask for donations or advertise paid commissions. Why can’t I?

As our TOS FAQ explains, we don’t review content until it’s reported to us. You may have seen somebody else mentioning their paywalled content or otherwise engaging in commercial activities on AO3, but that doesn’t mean that it’s allowed. All it means is that nobody has reported that content to us yet, or that we haven’t finished processing the report.

What will happen if I get reported for commercial promotion?

First, we’ll review the reported work to confirm that you violated our TOS by engaging in commercial activities on AO3. If we determine that you did, we’ll send you an email telling you to remove the violating material.

If your work can be edited to fix the issue, you’ll be asked to edit the work. Your work may be hidden from other users until you do. If you choose not to edit the work, or if your work cannot be edited into compliance with the TOS, it will be deleted.

PAC will only ever contact you by email, and only after we’ve determined that your work violates our Terms of Service. We will never comment on your work or contact you through social media. Please make sure to keep your account’s email address up to date and check it regularly (including your spam folder), or else you may miss our warning email.

If you repeatedly post works that violate our commercial promotion policies, you may be temporarily suspended. Continuing to violate the TOS will result in your being permanently banned from AO3. You can learn more about warnings and suspensions in our TOS FAQ.

What should I do if I encounter commercial activity on AO3?

You can give the creator a heads up by politely commenting on their work and linking to the TOS FAQ or this post. Alternatively, you can report the work to us.

What about spam comments?

The best way to deal with spam comments, commercial or otherwise, depends on whether the comments are from registered accounts or guests.

How do I report commercial activity?

Although we ask that you do not deliberately seek out commercial promotion to report, if you come across commercial activity while browsing, you can report it using the Policy Questions & Abuse Reports form, which is linked at the bottom of every page on AO3.

Please don’t report more than one user at a time or submit multiple reports about the same user. When reporting multiple works by the same user, please submit only one report with links to each work you’re reporting, so that all information about that user is in the same place.

Please tell us exactly where in the work the commercialization is. The best way to do this is to give us a description or short quote that we can search for in order to immediately find the content. If you are reporting multiple works by the same creator, please group all the works into one report and provide this information for each work.

For example, a report of commercial promotion might look like this:

Link to the page you are reporting: https://archiveofourown.org/works/00000000

Brief summary of Terms of Service violation: Commercial promotion

Description of the content you are reporting:
This work by USERNAME advertises a ko-fi in the end notes of chapter 3.

If you are reporting additional works, please include all relevant links and other information in your report description:

Description of the content you are reporting:
This work by USERNAME advertises a ko-fi in the end notes of chapter 3.

Some of their other works also contain commercial promotion:

https://archiveofourown.org/works/23456789 encourages readers to purchase their book on Amazon: “If you’re curious what else I’ve been working on or want to support me elsewhere, check out my new short story on Kindle Unlimited!”

https://archiveofourown.org/works/34567890 contains an embedded image with a Patreon watermark. Underneath, the sentence “If you want more like this, click here” takes you to their commissions price sheet.

You can add more details if you like, but this example provides the basic information we need:

  • Who posted the commercial promotion: Tell us their username or if the work is anonymous or orphaned.
  • Where we can find the work(s): Enter one URL in the “Link to the page you are reporting” field, and (if applicable) include links to any other violating works in the description of your report.
  • What violates the TOS: Explain why you think commercial promotion has occurred, for example by including a quote and/or providing context for a comment exchange. A brief description of the situation is fine; you don’t need to be very detailed or quote an entire TOS or FAQ section.

You’ll receive an automatic email confirming that we received your report, and our volunteers will investigate when they get a chance. Please be patient and do not submit another report about the same work. While PAC investigates every report we receive, it can take several months for us to process a report, and not every report will receive a reply.

What if I have more questions about commercial promotion?

PAC follows a strict confidentiality policy. Therefore, while you are welcome to ask general questions in the comments of this post, we will not give information on specific cases, publicly rule on a work, or update you on the status of a report you have already submitted. Comments on this post that discuss specific works or users will be removed.

If you think you’ve found commercial promotion on AO3, or if you want to know whether a particular work contains commercial promotion, please report the work to us as described above. For more information, you can read our TOS FAQ on Commercial Promotion.

If you are still uncertain, you can comment below or submit a question through the Policy Questions & Abuse Reports form.

[syndicated profile] medievalists_rss_feed

Posted by New Medieval Books

In the seventh century, Balthild rose from servitude to become queen of Neustria and Burgundy through her marriage to Clovis II. Following his death, she served as queen regent for their son, Chlothar III, and earned a reputation as a capable and reform-minded ruler—particularly noted for her efforts to end the practice of slavery. This book explores her remarkable life and legacy.
conuly: (Default)
[personal profile] conuly posting in [community profile] agonyaunt
Dear Annie: I have always felt like the odd one out in my family. I love them deeply, but I cannot ignore the quiet, persistent feeling that I do not quite belong. My two younger brothers, "Tom" and "Michael," are close with each other and with our parents, especially our mom. They talk every day, go on trips together and always seem to be in sync.

I, on the other hand, have always felt different. I was more sensitive, more artistic and more emotional growing up. While they were into sports and fixing things with Dad, I was reading, journaling or off by myself. I was teased for being "too dramatic" or "too much," and I learned early on to keep my feelings to myself.

Now that we are adults, not much has changed. Family group chats often go on without me. I find out about birthdays or get-togethers after the fact. When I try to bring it up gently, I get told I'm imagining things or taking things too personally. My mom says she loves me just as much, but I still feel like I'm standing on the outside looking in.

I want to be part of the family, not just in name but in heart. I want to feel seen, heard and valued -- not like the extra piece that doesn't quite fit. Is there anything I can do to shift this dynamic, or is it time to accept that things may never change? -- Outside in My Family


Annie's advice is better than I would've hoped for )

Biceps for guys

Jun. 28th, 2025 06:40 pm
[personal profile] cosmolinguist

I didn't get as far as Sparkle on its first day today but I did go to the Village for a meal with a local disabled group (moat of whom are also queer/trans) which I'm adjacent to, with a friend who needed a PA.

(I was glad to learn that I can still queer this friend/PA binary; it used to make up my whole employment for like five years.)

I got to my friend's house before we went out. They had glitter on their face and offered me some. I love glitter but it was the kind of hot day where I started sweating as soon as I got out of the shower. After having to hustle over to their house, my face was so sweaty I told them not to bother putting it on my face because I'd just sweat it off. Of course I had a sleeveless t-shirt on (the one D bought me at last year's Sparkle!) so they offered to put it on my shoulders. Pretty soon both my upper arms were covered in pink, purple and blue glitter, it was great.

When I got home, D saw me and pointed this out of course (as well as my "painted for the first time in five years" fingernails (chrome with rainbow sparkles over them).

I said it'd be the perfect time to flex my biceps, now that they're extra gay.

"Guy-ceps!" he said. "Guy for guy-ceps."

Purrcy and the snake

Jun. 28th, 2025 01:34 pm
mecurtin: tabby cat pokes his cute face out of a box (purrcy)
[personal profile] mecurtin
The other day I heard Purrcy scrabbling in the corner between our bedroom & the laundry room, and then hissing. When I went over to see what was up his tail was all puffed up, as he confronted a new experience:
a milk snake!

cut for snake pic )

Purrcy was very excited, but wary--he clearly has a "snake instinct" that says this isn't normal prey, but something possibly dangerous. We weren't able to catch the snake, but we're pretty sure it went out the way it came in, it was pretty scared of us (& Purrcy).

Purrcy spent the next half week sniffing & searching for it everywhere, & also being v suspicious of all the cords & any long or snakelike toys. It's like his "snake instinct" was dormant & had to be activated.

Purrcy the tuxedo tabby looks warily at a fuzzy blue, yellow and gray 'snake' toy where it lies next to the baseboard, wondering for the first time if it might be a real snake

The bad part about Our Inside Snek Adventure is that I mentioned it to the housecleaner ... who turns out to be *horribly* snake-phobic. So much that just knowing there'd been a snake in the house, she was too scared to come this week. We're blocking up the Snake Holes, hoping that helps, & she'll try to come back next week.

I'm not going to tell her that this is the 3rd *species* of snake we've seen close to the house, which is made of stone, 100 yrs old, on a stony NJ hillside (others are garter & black racer). Mr Dr Science & I love it! He in the Atlanta suburbs, I in Champaign, IL, we were the kids who caught snakes & brought them in for show & tell in elementary school.

Gloria, our housecleaner, grew up in Jamaica, but she's a city girl through and through. She's prob. too old for snake therapy, I hope this works.

Get in the Car, Loser! (2021)

Jun. 28th, 2025 12:21 pm
pauraque: bird flying over the trans flag (trans pride)
[personal profile] pauraque
Concluding Pride Month media, I played Get in the Car, Loser! which is a queer road trip fantasy RPG. The lead developer Christine Love is a trans woman, and I'm not sure if everyone who worked on the game is trans but it looks like it's at least a high proportion.

combat scene where queer gen Z kids do battle with weird fantasy monsters

The story primarily focuses on Sam, an anxious goth trans girl who's studying magic in college. Her classmate Grace steals a mystical sword and then recruits Sam to be her party's healer on a quest to defeat the evil Machine Devil (who, disappointingly, isn't this guy). It's going to be a bit of a drive to the Machine Devil's lair, but fortunately Grace's nonbinary partner Valentin has a car, and also serves as the party's tank. The contemporary-fantasy worldbuilding is only lightly sketched but that's all that's needed; the quest to beat the Machine Devil just provides a framework for the characters to talk to each other, build connections, and grapple with their own insecurities and inner conflicts.

Read more... )

Get in the Car, Loser! is normally $24.99 USD on Steam, but is currently on sale for $17.49 USD, so this would be a good time to pick it up if it sounds like your thing!

A video I might use for Asteroid Day

Jun. 28th, 2025 12:03 pm
neonvincent: For posts about Usenet (Fluffy)
[personal profile] neonvincent
[syndicated profile] fromtheheartofeurope_feed

Posted by fromtheheartofeurope

Second frame of third issue:

“Your kindness touches my heart. Such thoughtfulness is rare these days. What, may I ask, brings such a beautiful couple out on the road? Not running away together, are you?”

Having finished the Titan Eleventh Doctor comics, I’m starting the Twelfth Doctor albums, beginning with this compilation of two two-issue stories, both of which I rather liked.

Terrorformer has the newly regenerated Doctor and Clara visiting a planet which should have been an ice world but seems to have become rather hot; it turns out that there’s an intelligent star behind it all (this made me look up the temperature at the core of the Sun). Clara gets some decent character moments too.

The Swords of Okti is set in both past and future India, and puts Clara aside for most of it to give the Doctor two temporary Indian companions – who I think are the first South Asians to have that role in any medium? The story was originally published as The Swords of Kali, but re-titled after a Hindu group in Nevada protested at the appropriation of the goddess. In any case, it’s a fairly standard aliens-pose-as-gods narrative but with the extra cultural wrinkles.

You can get it here. Next in this sequence: Fractures, also by Robbie Morrison et al.

[syndicated profile] fromtheheartofeurope_feed

Posted by fromtheheartofeurope

This is one of a series of posts about the 2025 World Science Fiction Society Business Meeting. They are all tagged bm2025.

I have only five (5) items left to write about from this year’s WSFS Business Meeting agenda. One of them is a proposal for a new Hugo category, which I will deal with tomorrow. The other four are fiddly proposals which I’ll deal with here.

F16 (on page 46 of the agenda) simply prevents committees from lapsing on the event that a Business meeting is not quorate. It seems to me a rather unlikely scenario, but I suppose it may as well be covered. Will vote in favour if necessary.

F17 (pages 47-48) changes the deadlines around when a newly seated WorldCon can allow bid voters to convert their voting rights into attending memberships at a discount. This is basically about preventing a 2021 mistake that didn’t in the end actually happen, and the wording proposed, on my reading, would actually prevent a seated WorldCon from allowing voters to convert to memberships at the convention where the voting took place. This seems to me a good example of a change that isn’t really needed, fixing a contingency that has never happened, isn’t well thought out and is not a good use of Business Meeting time.

F18 (pages 48-49) is more complicated playing with deadlines, poorly explained. The proposers complain that if a committee fails to report, the relevant business is delayed for another year; but several of them have circumvented precisely this scenario this year, by proposing resolution F20. I would prefer to see tighter management of the relevant committees, and I don’t see this one as being a good use of Business Meeting time.

F19 (pages 49-50) addresses the question of reopening certain deadlines (for Site Selection bids and for the submission of Business Meeting items) by requiring that year’s WorldCon to announce the deadline dates at the previous year’s WorldCon, mindful of the contingency that the dates of the convention may change (as they did in 2021 and 2023). This would have prevented the Winnipeg bid in 2021. While I can see that this is a potential problem, I am not convinced that this is the solution. Voting against.

Just Best Poem to go… I may assemble all of these into a single document.

2025 WSFS Business meeting posts:
Mark Protection Committee Report
Investigation Committee on the 2023 Hugo Awards report
Software Committee
Hugo Administration Process Committee report
Business Meeting Study Group
C1, C2, C3, C4
C5
D1, D2, D3
D4
D5, D6
D7, D8
D9, D10, D11, D12
E1, E2
E3, E4, E5
E6
E7
E8
E9
F1, F2
F3, F4, F5, F6
F7, F8
F9, F10
F11
F12
F13
F14, F15
F16, F17, F18, F19
F20
F21
F22

Welcome and Introduction Post

Jun. 28th, 2025 11:37 am
florianschild: (sunshine revival 2025)
[personal profile] florianschild posting in [community profile] sunshine_revival
Sunshine-Revival-Banner.png

Come one, come all! Step right up to the very first Sunshine Revival challenge!

Is that popcorn and funnel cakes that I smell? And if you listen carefully you can hear the cheerful notes of the Calliope in the distance. You may have noticed we've got some summer carnival sounds and aromas in the air. Which is fitting, since that is our theme this year! Prompts will be inspired by elements of our summer carnival, but don't worry: the prompts themselves are very open-ended and you can write about whatever strikes your fancy.

The format of the Challenge posts will be a little new. Each challenge post will have two prompts: one will be for general journaling (for example, reflecting on personal experiences or sharing thoughts about a topic) and another will be asking you to create something (such as a written or visual work) based on a theme. You're welcome to choose one or both prompts and they are very flexible so if the prompt says "write a story" you can of course write a poem, share a plot bunny, make a mixtape, draw a picture, or do anything else you want; it's up to you how you want to participate!

The Sunshine Revival will kick off with the first prompts on July 1st, but I wanted to say hello and get everyone acquainted before we get started. We'll have a few "pre-challenge" posts over the next few days. Here's the schedule if you need it:

June 28 - Introduction Post
June 29 - Meet the Mods Post
June 30 - Friending Meme
July 1-25 - Challenge Posts every 4 days (7 in total)
July 31 - Wrap up post

I encourage everyone to take some time over the next few days to shake the dust (or pollen perhaps?) off your journals. Clean up your sticky post, add new interests to your profile and remove old ones, consider adding a Transformative Works policy or an AI policy to your profile, and my own special request: Please consider linking to your blog from your AO3 profile! Encourage your friends to do it too! It's fun to find an author you like and then follow them to see what they're reading and doing.

I think that's all for now, but stay tuned for lots more. I'm really happy to be reviving this celebration of summer for the community. I hope it's a lot of fun for everyone!
[syndicated profile] neatorama_feed

Posted by Miss Cellania

America has had women doctors since Elizabeth Blackwell got her medical degree in 1849. Yet by 1910, women made up only 6% of medical doctors, and were mostly limited to serving women and children. In 1917, America was dealing with two supposedly unrelated forces: World War I and the women's suffrage movement. The National American Woman Suffrage Association organized group of American doctors under the title Women’s Oversea Hospitals (WOH), who brought those two forces together when they went to Europe to help in the war effort. Neither the US Army nor the Red Cross would sponsor such a trip, but the French were desperate for medical help and invited them. 

These doctors wanted to serve their country and help those suffering from the war, but they also wanted to prove that women should have the right to vote. They also wanted experience in surgery, which was largely restricted at home. The French doctors had little respect for the WOH, and wanted them to only treat women and children. But soon after the first group arrived, the local hospital was inundated with war wounded, and WOH doctors quickly learned how to amputate limbs and dress horrific wounds. They were eventually commissioned into the French military. Even after the Armistice, WOH stayed to care for POWs, refugees, and the wounded. Read about the doctors of WOH, their wartime experience, and their legacy at Smithsonian.  

used_songs: (Y'all means all)
[personal profile] used_songs
On the Consolation of Philosophy

O þou gouernour gouernyng alle þinges by certeyne ende. why refusest þou oonly to gouerne þe werkes of men by dewe manere. Whi suffrest þou þat slidyng fortune turneþ to grete vtter chaungynges of þinges. so þat anoious peyne þat scholde duelly punisshe felouns punissitȝ innocentȝ. And folk of wikkede maneres sitten in heiȝe chaiers. and anoienge folk treden and þat vnryȝtfully in þe nekkes of holy men.

“Hurry up! Wheel is on!” my grandmother shouts, urging me to turn the TV on and angle it so she can see it from her seat at the kitchen table. That’s the table we end up selling in the estate sale after she dies because everyone already has a kitchen table and no one has room for more furniture.

The theme music has already started as the TV snaps on, the picture slightly cloudy, like light through a veil, and the sound way too loud.

“-and Vanna White!” the host proclaims as the blonde woman in the near background waves.

“I’ve got a good feeling about the show today, Pat,” she says with a broad wink and a trained smile. He laughs and shakes his head.

“Well, we did have a big winner just the other day, but that doesn’t mean the wheel of fortune won’t hit again today for one of our contestants,” Sajak replies with a wry grin.

“What’s the trick, Pat?” a player asks.

“To stay in control of the wheel.” Pat looks at the camera. Perhaps he means to be ironic, but you can see the desperation in his eyes, a trapped creature beating against the screen that holds him.

“And don’t forget you need to be lucky,” Vanna adds. “O Fortuna velut luna statu variabilis, semper crescis aut decrescis; vita detestabilis nunc obdurat et tunc curat ludo mentis aciem, egestatem, potestatem dissolvit ut glaciem.”

Pat Sajak looks startled for an instant now, like the flash of a bird leaping from ground to sky, but he recovers quickly, laughing and saying, “I have a feeling someone will have powerful luck today!”

The parking lot was full of signs. Hopes. We stood in line, we went inside, we showed our voter registration cards and picture ID, we received instructions, we walked separately to the black boxes on fragile legs (theirs and ours), we touched the screens with the eraser tips of the pencils they gave us, we voted, we confirmed, we printed the ballot, we fed it into the other black box. We got a sticker. Even then, though, I knew. And I thought of quitting.

I used the touchscreen on the black box to register my vote. Let the computer count it. Why not place my trust in machines when people are so untrustworthy?

And Vanna touches the lighted rectangles and the initial letter appears. “T.” She claps and smiles. That’s not the letter I said when the wheel stopped spinning, but everyone acts as though it is. Pat Sajak grasps a card tightly and frowns.

“I thought she said K,” my grandmother says.

“I did,” I complain. “I did say K.” Onscreen the player mutters something under her breath and the camera pans away quickly, reality tucked away on the outskirts and hidden from view.

We watched the returns with hope and dread. Even then I knew because I know how luck turns, how unfair life is, how your dreams get stepped on, how there is no security – only chaos and despair.

We have been climbing up the wheel for so long, slipping in grease and sweat and blood, and in an instant we are swept down again. Centuries of striving undone in one election cycle. After a while, it becomes difficult to keep restarting. It feels futile, and, in a way, it is. This is the consolation of philosophy, but it’s an impossible way to live. Me, obsessively checking for your location, because now I have to worry you will be abducted by ICE while you are on your morning run or when you take your mom, a naturalized citizen, to the store.

Me comforting parents who have endured so much and now may not outlast this, who live in fear instead of safety.

I thought it was the smell of my grandmother’s house, but it turns out it was the smell of dust. Now my parents’ house smells the same. We are nothing. We are going to be ground up by history. But we are important to ourselves.

I would like to buy an A.

“Three A’s!” Pat exults and Vanna turns over a U.

And I am so angry.

“Would you like to solve the puzzle?” Pat asks and Vanna looks eagerly at the camera, her hands frozen in mid-air, ready to clap.

The puzzle, of course, is how we are so stupid and angry and mean and heartless and gullible. How we are so bad, so nasty and brutish. So cold. My grandmother tries to sound out the phrase as the picture goes out of focus. “’Sors i_ _ _ nis et in_ nis, rot_ tu vo_ ubi_ is, st_ tus _ _ _us, v_n_ s_ _ us se_ per disso_ ubi_ is.’ I don’t know what it is yet. Do you?” she asks me. Onscreen Vanna seems to shrug. 

I do. The chyron on the bottom of the screen speaks of tyranny. Philosophy looks at me from her seat at the table and says, “This world of ours—thinkest thou it is governed haphazard and fortuitously, or believest thou that there is in it any rational guidance?” She might be mocking me, but I think it's just that she does not care.

My grandmother, long gone, so far away that I can barely remember her voice, sighs and says from the corner, “We make up these philosophies and these religions to make ourselves feel better about the inescapable unfairness and randomness of life. The truth is, we are only important to ourselves. That’s life, riding high in April, shot down in May. The truth is the wheel of fortune.” I turn to ask a question, but she is irrevocable.

I guess the dead would know how cold the comfort really is. 

She lived through her own interesting times – two world wars, the Great Depression, Spanish Flu – people struck down by the indifference of God or Fortune or their fellow humans. I guess she would know. And now she knows that none of it ultimately matters.

But it matters.

The words on the puzzle have lasted longer than you and will be here long after you are dust. Even when they burn all of the books, the words will still be there. Even when there is no one to read them. I used to believe in societal progress. Now I know better. We are just fragile birds, flying through the longhouse, enjoying the light and warmth and grabbing the comfort we can from the shadows, until we go back out into the cold dead flat darkness unleavened by any stars.

“I’d like to buy a vowel,” I say frantically.

“Is it a U?” Pat asks, his eyebrows drawing down in an expression of cruelty. I lean back, the wheel ticking endlessly. 

“No!” I cry, unheard, from deep within a room that no longer exists. My grandmother’s little dog inches closer to the forbidden space heater and looks back at us and smiles. Dust.

My grandmother snorts. “She wasted her money, There are no other vowels.” The contestant turns away disappointed. She solved the puzzle, she won the money, but she walks away empty handed because the wheel turned.

"Sors immanis et inanis, rota tu volubilis, status malus, vana salus semper dissolubilis, obumbrata et velata michi quoque niteris," Philosophy sings from the corner, mocking my hopes.

It doesn’t matter. The wheel turns. It doesn’t matter. It does matter.

(morning writing)

Jun. 28th, 2025 09:47 am
elainegrey: Inspired by Grypping/gripping beast styles from Nordic cultures (Default)
[personal profile] elainegrey

Christine is home as of Wednesday evening and broadly much better (although this instant she is recovering from a panic attack during a migraine). Antibiotics remain a miracle. Also, thanks for our capabilities to culture bacteria.  Thursday morning her doctor called to let her know that Arecoccus urinae was cultured and she'd need a different antibiotic from the one she was sent home with on Wednesday and no, the one she was sent home with on Monday wouldn't work either.

This does explain the one Monday dose having no effect.

I think she got the call while i was giving a division wide talk, that seemed reasonably received: crickets from the audience. Too basic? Too much? Always hard to tell.

Yesterday was B--'s memorial. I took the whole day as bereavement, and have scheduled much of next week off (2nd & 3rd as vacation, 4th a holiday, 5th & 6th weekend, and 7th more vacation and my sister in law's birthday)

I continued to test negative through all of this, but my cough is acting up, which annoys.

Speak Up Saturday

Jun. 28th, 2025 03:45 pm
feurioo: (tv: murderbot gurathin & mensah)
[personal profile] feurioo posting in [community profile] tv_talk
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Welcome to the weekly roundup post! What are you watching this week? What are you excited about?

(no subject)

Jun. 28th, 2025 02:26 pm
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[personal profile] turps
James' annual leave is nearly over but we've had some good days out.

Monday was class, but we decided to go to the gym before hand, which maybe wasn't the best idea I'd ever had as by the time the end of the morning came, I looked like I'd dipped my head in a bucket of water. Which wasn't the best look as after class we were heading off to Newcastle so James could go to his appointment at the limb centre to check his false leg.

That went well, and a bonus, they've put a liner into his stump cover so he only has to wear one stump sock now, instead of two. Why they didn't do that before I have no idea as it's much cooler for him.

Tuesday, we headed up north to Cragside which is a fantastic National Trust property. It was so beautiful up there and we had a lovely day exploring the house and grounds. I would have loved to check out more of the walks, but sadly, as the name suggests, a lot of the paths were very steep and rocky and no way would James have been able to manage them safely. But, we did walks to the lake and between the buildings and had a picnic in the sunshine before ending with a drive through the one-way Carriage Drive route through the grounds.

Wednesday we took my MiL out for the day. The carvery at Toby was on promotion again, so we went there for dinner before having a drive, ending up at a farm shop/cafe we like. Where there were donkeys to pet and highland cows to look at and very delicious cakes and cold drinks.

Thursday we headed a little south and ended up at Preston Park Museum and Butterfly world. I enjoyed both, and as we got there for opening managed to explore the museum while it was quiet, leading to a long talk to the man in charge of the iron mongers shop. Then a walk through the grounds to the Butterfly building where we spent a lot of time sweating in the heat and admiring loads of butterflies, and especially enjoying the meerkats who had just checked out and were basking in the heat. You can see them in my insta post here. The one in the tube still cracks me up.

Yesterday was a planned cinema day and we went to see F1: The Movie, which I enjoyed loads, even though it was nearly three hours long. Leaving there we called in to see Corey, then went on to Kayleigh's as I said I'd watch Bodhi for a bit as Kayleigh and Lucy first went grocery shopping, then picked up their new kittens, Millie and Mollie.

Today James picked up an overtime community visit shift, which means he's helping run the NE ambulance stall at Sunderland Pride. Last I heard from him he was having a great time, and sent me a picture of him beaming from behind a cut out of a rainbow decked cardboard ambulance front. Meanwhile I've been getting the house in order with Glastonbury as background viewing as I do so. So far, my favourite performance has been Lewis Capaldi, what a return.

I've also been waiting for two parcels, one of which was thrown into the back garden, which baffles me as it would have taken the delivery guy more effort to walk around the house than actually knock on the front door. While the Amazon guy knocked ridiculously hard and then was walking away before I even got to the door. Turned out he'd left the parcel on the front door step so it's good I was actually in being as I have no front garden.

During the week I also heard from Rosie and from the week coming class will be on a Wednesday at 9am, and has changed from one hour to two. She's also going to start running an exercise only evening class from August, which is great, but I must admit, I can't help be a bit intimidated from going from 30 mins exercise to 60, and with another class to come.
spikedluv: (summer: sunflowers by candi)
[personal profile] spikedluv
This was another long day. I had to be at mom’s by 7:30am so my sister S could go to work. My sister A had to decorate for Ian’s graduation party tomorrow, and S attended the graduation of her step-grandson. (Not as long a day as yesterday, though – sister A showed up at 5:30pm to relieve me.) As I’ve said, I don’t mind BEING there, because I can be on my computer or read, but it gives me anxiety to not be home where I can get chores done, or go shopping. Thankfully, I did get some stuff done before I left the house today.

I stopped at Stewart’s for milk after dropping Grant off at the garage. I threw a load of laundry into the washer, hand-washed dishes, cooked hot dogs for Pip to heat up for supper, stirred together two cabbage salads for Ian’s graduation party (one with pineapple and one without to put on pulled pork sandwich if they want to do so) and scooped kitty litter. (I also had to cut up chicken for the dogs’ supper and pack my ‘lunch bag’.) (As you might imagine, it felt like I was running a race to get all of this done before I left to relieve my sister.) When I got home I tossed the wet clothes into the dryer, did up more dishes, and took a shower before I sat on the bed with a towel wrapped around my hair to decompress a bit.

I finished the current Amelia Peabody and started a new book, and took a short nap (which was just enough to reinvigorate me, rather than leave me lethargic).

Temps started out at 58.8(F) and reached an unknown high; it was 66.4 at 6pm when I got home. It was overcast all day, but I felt lucky we hadn’t had the forecasted rain, which then came in late afternoon. Thankfully it had finished before I needed to carry all my bags out to the car.


Mom Update:

Mom seemed tired when I arrived. I think yesterday’s activity took a lot out of her. more back here )

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